Dreamin’ of You

Dreamin’ of You is described as a hybrid of a less evocative earlier version and material that will become the darker Can’t Wait. The drafting blank after the earlier version is not repaired with a guessed title. The uncertainty remains where the source leaves it.

The hybrid is important because it makes the movement between songs audible without reducing one to a discarded draft. Fragments keeps the middle state available: a recording in which more than one later identity can still be heard.

The primary file places the song’s imagery inside the Malacto-Man’s song and dance upon his trespass. The connection is explicit but brief. It identifies a performance and an event without providing a complete musicological system for them.

The trespass matters because a dream in the SES cannot remain securely private. Host and trespasser already share sensory and psychological reality. A song associated with dreaming enters a mechanism in which the room, the dream and the other mind can occupy the same packet.

In an ordinary chronology, an earlier text can be described as leading to a later one. Under DoTarK, the archive retains both as present evidence. Dreamin’ of You and Can’t Wait do not need a new external minute in order to continue changing relation to each other.

The entry therefore belongs with the broader Fragments schism. A uniform album wants a settled object. The hybrid makes the unsettled route part of the object that survives.