Can’t Wait

The primary working document gives three unambiguous filing instructions: Red River Shore belongs with Red River Shore; Can’t Wait belongs in the Rise of Ron; Standing in the Doorway belongs in the Valence Accident. This is the canonical basis of the present entry.

Ron Q. Dandelionne’s rise is an administrative response to a chronology no one can settle. As Minister of Temporal Auditing and later Temporal Auditor Emeritus, he records, corrects and recollocates the interval. The title’s refusal or inability to wait becomes part of the office that is trying to “make the time last.”

The primary notes call Dreamin’ of You a hybrid: part of a less evocative earlier route and part of the material that eventually becomes the darker Can’t Wait. The archive therefore preserves relation without pretending the songs occupy a clean before-and-after sequence.

This is the function of Fragments throughout the Realist record. It exposes changing words, pace and affect that the released album closes into one object. Can’t Wait receives its pressure from a version the official sequence did not make final.

The schedule folder also contains a dedicated Can’t Wait file whose opening discussion treats the alternate performances as separate temporal corridors. That paragraph is retained as a useful description of how different takes alter the song’s pressure.

The same file later generates a formal sequence of Origin, Pressure, Stall, Transit and Stabilizer Nodes. Those labels do not appear in the primary Dylan working document and are not adopted here as authorial doctrine. Their model-assisted origin remains part of the source ledger.